2016 Salem Witches Cup

photo by Katie Busick

(Written in the style of Nathaniel Hawthorne.)

IN THE CENTER of one our New England towns, anchored on the one hand by the Salem Witch Museum, the brick facade of the old East Church cast in shadow, the windows staring vacant and hollow upon the world, and on the other hand by the venerable Hawthorne Hotel, resides the broad, grassy expanse of the old Salem Common.  The Common is circumscribed by Washington Park, a collection of streets facing the various points of the compass, composed of alternating degrees of rough and smooth paved road surface. A creaky wrought-iron fence of questionable integrity rings the inner plot of the Common, hewing in the souls, present and past, that might have gathered there in bygone days for events, which if worthily recounted, would form a narrative of no small interest and curiosity to the reader.

The aspect of this green space and the moniker of the bicycle race which had lead me, among numerous other New Englanders, to journey here, year upon year, to make numerous passes around the perimeter of the Common, had always evoked dark and sinister feelings drawing from the town's dark yet well-known associations with the trials of several young and gentle women under suspicion and eventual execution, for being practitioners of witchcraft. Thus, the Salem Witches Cup had come to be a cornerstone of the racing season, migrating from cooler climes of the calendar and the complicit attraction of All Hallows' Eve, to the balmier evenings of midsummer.

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